The Double Edge Theater’s Project to ‘Rematriate Land’

APRIL M. SHORT – The Double Edge Theatre, a cultural cooperative and ensemble collective in Ashfield, Massachusetts, offers an example of how artists have successfully reimagined the economy and created networks of mutual support. The company was founded in Boston in 1982, but by the end of the 1980s, gentrification and rising costs in the city made it difficult for the group to enact its creative visions, according to Carlos Uriona, an actor and the theater’s cultural strategist. This economic pressure became the catalyst for a unique model leading to a community-supported economy that has become a successful haven for the arts for decades.

Capitalism Has Left the Building. Enter Technofeudalism

MARK LESSERAUX – Over the last four or five years, like just about everyone else, I’ve been feeling that some kind of huge shift, some sort of sea change has taken place that I haven’t quite been able to define. There were certainly occurrences that stood out. There was the Trump presidency, there was the COVID pandemic, there are the horrible wars in Ukraine, in Gaza and elsewhere, etc.. However, none of these phenomena held up, by themselves or in conjunction with one another, as a satisfying answer to my query — What is Technofeudalism and what are its components that are vanguishing capitalism?

We Need a Plan for the Transition to Renewable Energy

DAVID FRIDLEY and RICHARD HEINBERG – It seems wise to channel society’s efforts toward no-regrets strategies—efforts that shift expectations, emphasize quality of life over consumption, and reinforce community resilience. Even though it may be impossible to envision the end result of the renewable energy transition, we must seek to understand its scope and general direction.